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MURILLO, Bartolome Esteban The Holy Family sgh oil painting


The Holy Family sgh
Painting ID::  8310
MURILLO, Bartolome Esteban
The Holy Family sgh
1650 Oil on canvas, 144 x 188 cm Museo del Prado, Madrid

   
   
     

MURILLO, Bartolome Esteban Virgin and Child with a Rosary sg oil painting


Virgin and Child with a Rosary sg
Painting ID::  8312
MURILLO, Bartolome Esteban
Virgin and Child with a Rosary sg
1650-55 Oil on canvas, 164 x 110 cm Museo del Prado, Madrid

   
   
     

MURILLO, Bartolome Esteban Self-Portrait sg468 oil painting


Self-Portrait sg468
Painting ID::  8313
MURILLO, Bartolome Esteban
Self-Portrait sg468
Oil on canvas National Gallery, London

   
   
     

MURILLO, Bartolome Esteban St Francis of Assisi at Prayer sg oil painting


St Francis of Assisi at Prayer sg
Painting ID::  8314
MURILLO, Bartolome Esteban
St Francis of Assisi at Prayer sg
1645-50 Oil on canvas, 182 x 129 cm O.-L. Vrouwekathedraal, Antwerp

   
   
     

MURILLO, Bartolome Esteban Christ the Good Shepherd sg oil painting


Christ the Good Shepherd sg
Painting ID::  8315
MURILLO, Bartolome Esteban
Christ the Good Shepherd sg
c. 1660 Oil on canvas, 123 x 161 cm Museo del Prado, Madrid

   
   
     

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     MURILLO, Bartolome Esteban
     Spanish Baroque Era Painter, ca.1617-1682 Spanish religious and portrait painter. He was born in Seville, where most of his life was spent. There, c.1645, he painted a series of 11 pictures of the history of the Franciscan order for a monastery. These brought him immediate fame, and for the remainder of his life he was the favorite painter of the wealthy and pious Andalusian capital. His early works show the influence of Zurbarn in the dramatic use of light and shadow. Murillo adapted several compositions from northern and Italian prints. Notable works of his early years include St. Leander, St. Isidore, Vision of St. Anthony (all: cathedral, Seville), Birth of the Virgin (Louvre), and his series for the Church of Santa Maria la Blanca. In 1660 he was instrumental in founding the Seville Academy, of which he shared the presidency with the younger Francisco de Herrera. From 1670 to 1682, Murillo painted many of his major religious works, including those for the Charity Hospital and for the Capuchin convent (Seville Mus.). These religious works, particularly the Madonnas, are noted for their sweetness of mood. In 1682, while working on the Marriage of St. Catherine for the Capuchin church of Cediz, Murillo fell from a scaffold and died as a result of his injuries. Murillo's greatest works include his fine portraits, Don Andres de Andrade y la Col (Metropolitan Mus.) and Knight of the Collar (Prado) and his naturalistic genre paintings, such as Girl and Her Duenna (National Gall., Washington, D.C.) and Peasant Boy (National Gall., London).

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     | Leopold Carl Muller | Leon Cogniet | Trophime Bigot |


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